1949: Skomer, 1949
[oil
painting]
(Pub.
in Moore 1981: 13, in coll. of the National Museum & Gallery, Cardiff
(loaned to the Welsh Office))
RMC
0001
1952: Westhook 1952
(Small
workprint in coll. of National Library of Wales Aberystwyth - uncatalogued Ray
Howard-Jones ephemera. Attributed.)
RMC
0283
1953: Hanging Gull
[chalk
and wash]
(In
coll. of David Moore, Brecon)
35.5
x 51cm
Unpublished
RMC
0002
1954: Island Farm
[pastel]
(In
coll. of David Moore, Brecon)
78
x 55.5cm
Unpublished
RMC
0003
1956: Suffolk 1956
(In
coll. of Raymond Moore archive as mounted exhibition print, Box 343-140 (D18))
RMC
0004
1957: Bognor, 1957
(Pub.
in Moore 1981: 35)
RMC
0005
1958: Skomer, 1958
(Pub.
in Moore 1981: 12)
RMC
0006
n.d.
[not later than 1958]: [n.t.]
(Pub.
in Moore 1958: 112)
RMC
0007
1959: Flatholm, 1959
(Pub.
in Moore 1981: 17, in coll. of Victoria and Albert Museum, London as
photographic print)
a.k.a Wall of light
(Pub.
in Moore 1968a: 19, Moore 1968b: 394, in coll. of National Library of Wales
Aberystwyth (former WAC coll.) as photographic print, in coll. of Ransom
Center, University of Texas (formerly Gernsheim Collection) as photogravure)
a.k.a. [untitled, undated]
(in
coll. of Stanford University Museum of Art CA. as photographic print)
RMC
0008
1959: Manchester, 1959
(Pub.
in Moore 1981: 38)
RMC
0009
1959: Rhosilli, 1959
(Pub.
in Moore 1981: 37)
RMC
0010
1959: Runcorn 1959
(In
coll. of Raymond Moore archive: Box 342 - 170, No. 2, “Welsh Arts Council
Loan”)
RMC
0253
1959: 1959
(Pub.
in Moore 1976: 19)
a.k.a. Interior Enigma.
(In
coll. of National Library of Wales Aberystwyth (formerly WAC), in coll. of
Ransom Center, University of Texas (formerly Gernsheim Collection),
Exhibited
at George Eastman House 1970.
RMC
0011
n.d.
[not later than 1959]:
Bird
Skeleton - Skomer Island
(Pub.
in Moore 1959b: 530)
RMC
0012
n.d.
[not later than 1959]:
Electric
Fitting - Skomer Island
(Pub.
in Moore 1959b: 533)
RMC
0013
n.d.
[not later than 1959]:
House
Interior - Skomer Island
(Pub.
in Moore 1959b: 532)
RMC
0014
n.d.
[not later than 1959]: Jug and Bottle
(Pub.
in Moore 1959b: 533)
RMC
0015
n.d.
[not later than 1959]:
Old
Gateway, Skomer Island
[colour
photograph]
(Pub.
in Moore 1959a: 826)
RMC
0016
n.d.
[not later than 1959]: Stone Wall
(Pub.
in Moore 1959b: 533)
RMC
0017
n.d.
[not later than 1959]:Under the Pier
(Pub.
in Moore 1959b: 530)
RMC
0018
n.d.
[not later than 1959]:
Wall
Surface
(Moore
1959b: 531)
RMC
0019
n.d.
[not later than 1959]:
Wall
Surface
(Pub.
in Moore 1959b: 533)
RMC
0020
n.d.
[commissioned in 1959]:
Pub.
as Gordon Fraser postcard BS01-04
Cardiff;
The University.
RMC
0021
n.d.
[commissioned in 1959]:
Pub
as. Gordon Fraser postcard BS01-05
Cardiff;
1914-1918 War Memorial.
RMC
0022
n.d.
[commissioned in 1959]:
Pub.
as Gordon Fraser postcard BS01-10
Cardiff
Docks.
RMC
0023
n.d.
[commissioned in 1959]:
Pub.
as Gordon Fraser postcard BS01-11
Cardiff;
Cefn On Park, The Dingle.
RMC
0024
n.d.
[commissioned in 1959]:
Pub.
as Gordon Fraser postcard BS01-13
Llandaff;
Cathedral from the Green.
RMC
0025
n.d.
[commissioned in 1959]:
Pub.
as Gordon Fraser postcard BS01-15
Llandaff;
The Deanery.
RMC
0026
n.d.
[commissioned in 1959]:
Pub.
as Gordon Fraser postcard BS01-20
Penarth
Head; A view from Cardiff Docks.
RMC
0027
n.d.
[commissioned in 1959]:
Pub.
as Gordon Fraser postcard BS01-5
Manchester
Central Library
RMC
0221
1962: Pembrokeshire 1962
(Raymond
Moore archive, Box ‘A’)
RMC
0252
1963: Pembrokeshire, 1963
(Pub.
in Moore 1981: 21)
a.k.a. Cottage Window
(Pub.
in Moore 1968a: 12, in coll. of National Library of Wales Aberystwyth (formerly
WAC).)
Exhibited
at George Eastman House in 1970.
RMC
0028
1963: Pembrokeshire 1963
(In
coll. of Bibliothèque Nationale de France).
a.k.a. Rosebush, Presceli
(Pub.
in Moore 1968a: 4, McClelland 1969, in coll. of Victoria and Albert Museum)
a.k.a. Rosebush
(in
coll. of National Library of Wales Aberystwyth (formerly WAC),)
a.k.a.
[untitled landscape with stormy sky]
(In
coll. of Sheldon Memorial Art Gallery Lincoln)
RMC
0066
1963
[date uncertain, see below]: 1963
(Pub.
in Moore 1976: 16)
a.k.a. Pembrokeshire 1967
(In
coll. of Museum of Modern Art Kyoto)
a.k.a.
[untitled]
(In
coll. of Victoria and Albert Museum London)
a.k.a.
[untitled]
(In
coll. of Sheldon Memorial Art Gallery Lincoln)
RMC
0029
1963
[date uncertain, see below]: 1963
(Pub.
in Moore 1976: 17)
a.k.a. Rock, Alderney, ca. 1968.
(In
coll. of National Library of Wales Aberystwyth (formerly WAC).)
RMC
0030
1964
[date uncertain, see below]: Benbecula, 1964
In
coll. of Museum of Modern Art Kyoto.
a.k.a. Deserted Hangar, ca. 1963
(In
coll. of National Library of Wales Aberystwyth (formerly WAC).)
Exhibited
at George Eastman House in 1970.
RMC
0031
1964
[date uncertain, see below]:
Felixstowe,
1964
(Pub.
in Moore 1981: 34)
a.k.a. Felixstowe, 1966
(Pub.
in Moore 1981b: 28)
RMC
0032
1964
[date uncertain, see below]: Pembrokeshire, 1964
(Pub.
in Moore 1981: 19)
a.k.a. Cloudpool (Pembrokeshire)
(Pub.
in Moore 1968a: 2, in coll. of National Library of Wales Aberystwyth (formerly
WAC).))
a.k.a. 1964
(Pub.
in Moore 1976: 15)
a.k.a. Pembrokeshire, 1965
(In
coll. of Victoria and Albert Museum London)
Exhibited
at George Eastman House in 1970.
RMC
0033
1964
[date uncertain, see below]: Pembrokeshire, 1964
(Pub.
in Moore 1981: 23, McClelland 1969)
a.k.a. Pembrokeshire, 1963
(In
coll. of Bibliothèque Nationale de France).
a.k.a. Cottage Wall - Martin’s Haven
(In
coll. of National Library of Wales Aberystwyth (formerly WAC).)
Exhibited
at George Eastman House in 1970.
RMC
0034
1964: Pembrokeshire, 1964
(In
coll. of Raymond Moore archive, Box "A")
[mounted
exhibition print]
RMC
0035
1964-1965: Porthgain, 1964-1965
(Pub.
in Moore 1981: 25, in coll. of Nicholas Weaver)
a.k.a. Cyclist - Porthgain
(Pub.
in Moore 1969: 76, in coll. of Art Institute of Chicago)
a.k.a. Cyclist (Pub. in Moore 1968b: 396)
RMC
0036
1964: 1964
(Pub.
in Moore 1976: 14)
a.k.a. Beach, Pembrokeshire, Wales, 1964
(In
coll. of Cleveland Museum of Art)
RMC
0037
1964:
Rock Pool
(Gernsheim
1965: 234 pl.225)
[colour
photograph]
RMC
0040
1964:
Decayed Ceiling
(Gernsheim
1965: 235 pl.226)
[colour
photograph]
RMC
0041
1965: Benbecula 1965
(In
coll. of Victoria and Albert Museum London)
a.k.a. Benbecula
(Pub.
in Moore 1968a: 1, in coll. of National Library of Wales Aberystwyth (formerly
WAC).)
RMC
0058
1965: Pembrokeshire, 1965
(Pub.
in Moore 1981: 20)
a.k.a. Reflective Pool
(Pub.
in Moore 1968a: 11, in coll. of National Library of Wales Aberystwyth (formerly
WAC), and in coll. of Contemporary Arts Society for Wales (loaned to Glynn
Vivian Gallery Swansea.)
Exhibited
at George Eastman House in 1970.
RMC
0038
1965: Pembrokeshire, 1965
(Pub.
in Moore 1981: 22, in coll. of Victoria and Albert Museum, London)
RMC
0039
1966: Alderney, 1966
(Pub.
in Moore 1981: 29, in coll. of Ransom Center, University of Texas (formerly
Gernsheim Collection), in coll. of Bibliothèque Nationale de France, in coll.
of San Francisco Museum of Modern Art, in coll. of Victoria and Albert Museum,
London, in coll. of British Council, London)
a.k.a. Street, Alderney (Moore 1968a: 13, in coll. of National Library of Wales
Aberystwyth (formerly WAC).)
a.k.a. Alderney 1965-66. (in coll. of Nicholas Weaver)
a.k.a.
[untitled]
(Pub.
in Hill 2004a: 144)
Exhibited
at George Eastman House in 1970.
RMC
0042
1966: Pembrokeshire, 1966
[date
uncertain, see below]
(In
coll. of Victoria and Albert Museum)
a.k.a. Pembrokeshire 1968
(in
coll. of Bibliothèque Nationale de France).
Exhibited
at George Eastman House in 1970
RMC
0044
1967: Pembrokeshire, 1967
(Pub.
in Moore 1981: 30, Jeffrey 2000, Bishop 1990: 14/15, in coll. of British
Council London, in coll. of Victoria and Albert Museum London)
a.k.a. Encroaching Tide
(in coll. of
National Library of Wales Aberystwyth (formerly WAC)
Exhibited
at George Eastman House in 1970
RMC
0045
n.d.
(not later than 1967): Rock Pool
(Pub.
in Moore 1969b: 73, McClelland 1969)
a.k.a Renney Slip? (CHECK TITLE)
(Pub.
in Moore 1967: 82, in coll. of Art Institute of Chicago)
a.k.a. Rock and Pool
(In
coll. of National Library of Wales Aberystwyth (formerly WAC)
a.k.a.
[untitled]
(Pub.
in Pollock 1967: 19)
RMC
0046
n.d.
(not later than 1967): n.t.
(Pub. in Moore 1967: 84)
a.k.a. Sand Form, Albion
(In
coll. of University College Aberystwyth)
a.k.a. Sand Form
(In
coll. of National Library of Wales Aberystwyth (formerly WAC)
RMC
0047
n.d.(not
later than 1967): Stranded Weed
(Pub
in. Moore 1968a: 10, in coll. of National Library of Wales Aberystwyth
(formerly WAC)
a.k.a. n.d. (Moore 1967: 84)
a.k.a. Pembrokeshire 1968
(In
coll. of Museum of Modern Art Kyoto)
RMC
0048
1967: 1967
(Pub.
in Moore 1976: 18)
RMC
0049
n.d.
(not later than 1967): n.t.
(Pub.
in Moore 1967: 85)
RMC
0050
n.d.
(not later than 1967): n.t.
(Pub.
in Moore 1967: 85)
RMC
0051
n.d.
(not later than 1967): n.t.
(Pub.
in Moore 1967: 86)
RMC
0052
n.d.
(not later than 1967): n.t.
(Pub.
in Moore 1967: 87)
a.k.a. Alderney Interior
(In
coll. of National Library of Wales Aberystwyth (formerly WAC).))
RMC
0053
n.d.
(not later than 1967): (CHECK TITLE)
(Pub.
in Moore 1967: 87, Pollock 1967: 19)
RMC
0054
Doorway,
1968
(Pub.
in Woods , Thomson, Williams 1972: 23
[colour
photograph]
RMC
0114
n.d.
(not later than 1968): Worthing
(Pub.
in McClelland 1969)
RMC
0220
1968: Cardiff, 1968
(Pub.
in Moore 1981: 26, in coll. of Bibliothèque Nationale de France.
Exhibited
at George Eastman House in 1970.
RMC
0055
1968: Preseli, 1968
(Pub.
in Moore 1981: 31)
a.k.a. 1968
(Pub.
in Moore 1976: 20)
RMC
0056
Pembrokeshire,
1968
(In
coll. of Bibliothèque Nationale de France).
a.k.a. Road, West Wales
(Pub.
in Moore 1972: 204)
RMC
0112
1968: Watford, 1968
[date
uncertain, see below]
(Pub.
in Hill 1976: 6)
a.k.a. Watford, 1966
(In
coll. of Victoria and Albert Museum London)
a.k.a. Car Park
(Pub.
in Moore 1972: 200)
a.k.a. untitled, undated
(In
coll. of Stanford University Museum of Art)
RMC
0057
n.d.
[not later than1968]:
Causeway
(Pub.
in Moore 1968b: 396)
RMC
0059
n.d.
[not later than 1968]:
Enigma,
Milford Docks
(Pub
in Moore 1968a: 16, Moore 1969b: 79)
RMC
0060
n.d.
[not later than 1968]:
Frost,
Suffolk
(Pub.
in Moore 1968a: 20, in coll. of National Library of Wales Aberystwyth (formerly
WAC))
a.k.a Frost
(Pub.
in Moore 1969b: 77)
RMC
0061
n.d.
[not later than 1968]:
Frosted
Planks
(Pub.
in Moore 1968a: 5, 1969b: cover)
RMC
0062
n.d.
[not later than 1968]:
Graveyard,
Presceli
(Pub.
in Moore 1968a: 3, in coll. of National Library of Wales Aberystwyth (formerly
WAC))
Exhibited
at George Eastman House in 1970.
RMC
0063
n.d.
[not later than 1968]: Lunar Rock
(Pub.
in Moore 1968a: 6)
RMC
0064
n.d.
[not later than 1968]:
Miss
Hooper, Presceli
(Pub.
in Moore 1968a: 15, McClelland 1969)
RMC
0065
n.d.
[not later than 1968]:
Seen
at Felixstowe Ferry
(Pub.
in Moore 1968a: 7, Moore 1968b: 397, Tausk 1980: 229, in coll. of National
Library of Wales Aberystwyth (formerly WAC))
a.k.a Scene at Felixstowe Ferry
(Pub.
in Moore 1969b: 78)
RMC
0067
n.d.
[not later than 1968]:
Spanish
Window
(Pub.
in Moore 1968a: 17, in coll. of National Library of Wales Aberystwyth (formerly
WAC))
RMC
0068
n.d.
[not later than 1968]:
Suffolk
Mill (Pub. in Moore 1968a: 9, in
coll. of National Library of Wales Aberystwyth (formerly WAC))
RMC
0069
n.d.
[not later than 1968]:
Sun
in Pebbles
(Pub.
in Moore 1968a: 14, in coll. of National Library of Wales Aberystwyth (formerly
WAC))
Exhibited
at George Eastman House in 1970.
RMC
0070
n.d.
[not later than 1968]:
Temple
Rock
(Pub.
in Moore 1968a: 18, Moore 1969: 80, in coll. of National Library of Wales
Aberystwyth (formerly WAC))
RMC
0071
n.d.
[not later than 1968]:
Welsh
Lane
(Pub.
in Moore 1968b: 397)
RMC
0072
n.d.
[not later than 1968]: Versailles
(Pub.
in Moore 1968a: 8, in coll. of National Library of Wales Aberystwyth (formerly
WAC))
RMC
0073
n.d.
[not later than 1968]: Car Rally (1)
(Pub.
in De Maré 1968)
RMC
0223
n.d.
[not later than 1968]: Car Rally (2)
(Pub
in De Maré 1968)
RMC
0222
n.d.
[not later than 1968]:
[title
unknown]
(In
coll. of National Library of Wales Aberystwyth (formerly WAC) - this is the
title panel of Moore’s 1968 Welsh Arts Council exhibition, a vertical format
(cropped) version of the image.
In
coll. of Victoria and Albert Museum, London (large print of the whole image)
RMC
0262
1969: Cyprus, 1969
(Pub.
in Moore 1981: 28, in coll. of Victoria and Albert Museum London, in coll. of
Stanford University Museum of Art CA)
a.k.a. 1969 (Pub. in Moore 1976: 26)
Exhibited
at George Eastman House in 1970.
a.k.a. Cyprus
(In
coll. of Museum of Contemporary Art Chicago)
RMC
0074
1969: Malta, 1969
[offered
for sale online by Russ Anderson in 2006]
RMC
0075
1969: Nicosia, 1969
(Pub.
in Moore 1981: 27, in coll. of Museum of Modern Art Kyoto.
RMC
0076
1969: Tideway Rock, Pembrokeshire 1969 (In coll. of Victoria and Albert
Museum London)
[colour
photograph]
RMC
0077
1969: 1969
(Pub.
in Moore 1976: 13)
RMC
0078
n.d.
[approx. 1969?]: [n.t.]
(In
coll. of Victoria and Albert Museum London)
[colour
photograph]
RMC
0079
n.d.
[approx. 1969?]: [n.t.]
(In
coll. of Victoria and Albert Museum London)
[colour
photograph]
RMC
0080
n.d.
[approx. 1969?]: [n.t.]
(In
coll. of Victoria and Albert Museum London)
[colour
photograph]
RMC
0081
n.d.
[approx. 1969?]: [n.t.]
(In
coll. of Victoria and Albert Museum London)
[colour
photograph]
RMC
0082
n.d.:
[approx. 1969?]:
(In
coll. of Victoria and Albert Museum London)
[colour
photograph]
RMC
0083
n.d.
[not later than 1969]: Cottage Window
(Pub.
in Moore 1969b: 74, Pacey 1969: 8)
RMC
0084
n.d.
[not later than 1969]:
Door-Flatholm
(Pub.
in Moore 1969b: 75, in coll. of National Library of Wales Aberystwyth (formerly
WAC))
a.k.a. Untitled
(in
coll. of Ransom Center University of Texas (formerly Gernsheim collection))
Exhibited
at George Eastman House in 1970.
RMC
0085
1970: Maine, 1970
(in
coll. of Museum of Modern Art Kyoto)
RMC
0086
1970: Maine, 1970
(In
coll. of Raymond Moore archive, Box ‘A’)
RMC
0233
1970: Pembrokeshire, 1970
(Pub.
in Moore 1981: 32, Woods, Thomson, Williams 1972: 152)
a.k.a 1970
(Moore
1976: 21)
a.k.a. Road Junction
(Moore
1972: 201)
RMC
0087
1970: Pembrokeshire 1970
(Pub.
in Woods, Thomson, Williams 1972: 153)
a.k.a. Encroaching Tide II
(Pub.
in Moore 1972: 207, in coll. of Raymond Moore archive Box 343-140, D18)
RMC
0111
1970: Skomer, 1970
(Pub.
in Moore 1972: 202)
RMC
0088
n.d.
[not later than 1970]: [n.t.]
Exhibited
at George Eastman House in 1970.
(Only
known from exhibition photograph)
RMC
0089
n.d.
[not later than 1970]: [n.t.]
Exhibited
at George Eastman House in 1970.
(Only
known from exhibition photograph)
RMC
0090
n.d.
[not later than 1970]: [n.t.]
Exhibited
at George Eastman House in 1970.
(Only
known from exhibition photograph)
RMC
0091
n.d.
[not later than 1970]: [n.t.]
Exhibited
at George Eastman House in 1970.
(Only
known from exhibition photograph)
RMC
0092
n.d.
[not later than 1970]: [n.t.]
Exhibited
at George Eastman House in 1970.
(Only
known from exhibition photograph)
RMC
0093
n.d.
[not later than 1970]: [n.t.]
Exhibited
at George Eastman House in 1970.
(Only
known from exhibition photograph)
RMC
0094
n.d.
[not later than 1970]: [n.t.]
Exhibited
at George Eastman House in 1970.
(Only
known from exhibition photograph)
Possibly
identical with Road-Preseli in coll. of National Library of Wales Aberystwyth
(formerly WAC))
RMC
0095
n.d.
[not later than 1970]: [n.t.]
Exhibited
at George Eastman House in 1970.
(Only
known from exhibition photograph)
Very
likely identical with Puncheston in coll. of National Library of
Wales Aberystwyth (formerly WAC))
RMC
0096
n.d.
[not later than 1970]: [n.t.]
Exhibited
at George Eastman House in 1970.
(Only
known from exhibition photograph)
Very
likely identical with Landscape, Porthgain in coll. of National Library of
Wales Aberystwyth (formerly WAC))
RMC
0097
n.d.
[not later than 1970]: [n.t.]
Exhibited at
George Eastman House in 1970.
(Only
known from exhibition photograph)
RMC
0098
n.d.
[not later than 1970]: [n.t.]
Exhibited
at George Eastman House in 1970.
(Only
known from exhibition photograph)
RMC
0099
n.d.
[not later than 1970]: [n.t.]
Exhibited
at George Eastman House in 1970.
(Only
known from exhibition photograph)
RMC
0100
n.d.
[not later than 1970]: [n.t.]
Exhibited
at George Eastman House in 1970.
(Only
known from exhibition photograph)
RMC
0101
1971: Dublin, 1971
(Pub.
in Hill 1976: 10, in coll. of Scottish National Portrait Gallery)
RMC
0102
1971: Eire, 1971
(Pub.
in Moore 1981: 47, pub. in Woods 1989: 22, in coll. of the Arts Council of
Great Britain (managed by Hayward Gallery), in coll. of Scottish National
Portrait Gallery)
a.k.a. 1971 (Pub. in Moore 1976: 36)
a.k.a. B&B, Eire 1971
(in
coll. of Cleveland Museum of Art)
RMC
0103
1971: Eire, 1971
(In
coll. of Museum of Modern Art Kyoto)
RMC
0104
1971: Kilkenny, 1971
(Pub.
in Moore 1981: 72, in coll. of San Francisco Museum of Modern Art, in coll. of
British Council London
RMC
0105
1971: Eire 1971
(In
coll. of Bibliothèque Nationale de France).
a.k.a. 1971
(Pub.
in Moore 1976: 24)
RMC
0106
1971: 1971
(Pub.
in Moore 1976: 25)
RMC
0107
1971: Eire 1971
(In coll. of
Bibliothèque Nationale de France, in coll. of Victoria and Albert Museum
London).
a.k.a. Ireland 1971
(Pub.
in Hill 1976: 8)
a.k.a. 1971
(Pub.
in Moore 1976: 28)
RMC
0108
1971: 1971
(Pub.
in Moore 1976: 29)
RMC
0109
n.d.
(not later than 1971): Windy Street, Nicosia
Exhibited
at Art Institute of Chicago in 1971
(Pub.
in Moore 1972: 203)
RMC
0113
n.d.
(no later than 1971) [n.t.]
Exhibited
at Art Institute Chicago 1971
(In
coll. of Raymond Moore archive, Box ‘A’ No. 3 - 27)
RMC
0241
n.d.
(not later than 1971) [n.t.]
Exhibited
at the Art Institute of Chicago
(Only
known from exhibition photograph)
RMC
0277
n.d.
(not later than 1971) [n.t.]
Exhibited
at the Art Institute of Chicago
(Only
known from exhibition photograph)
RMC
0278
n.d.
(not later than 1971) [n.t.]
Exhibited
at the Art Institute of Chicago
(Only
known from exhibition photograph)
RMC
0279
1972: Dublin, 1972
(Pub.
in Hill 1976: 7)
RMC
0110
1973: Blaenau Ffestiniog, 1973
[date
uncertain, see below]
(Pub.
in Moore 1981: 84, Weaver 1986: 76, in coll. of Victoria and Albert Museum
London, in coll. of Robert Hershkowitz)
a.k.a 1974 (Pub.
in Moore 1976: 33)
RMC
0115
1973: Reading, 1973
(Pub.
in Moore 1981: 83, in coll. of Victoria and Albert Museum London, in coll. of
Nicholas Weaver)
RMC
0116
1973: 1973
(Pub.
in Moore 1976: 30)
RMC
0117
n.d.
(not later than 1973) [n.t.]
(Pub.
in Moore 1973: 203)
RMC
0118
n.d.
(not later than 1973) [n.t.]
(Pub.
in Moore 1973: 204)
RMC
0119
n.d.
(not later than 1973) [n.t.]
(Pub.
in Moore 1973: 205)
RMC
0120
1974: Blaenau Ffestiniog, 1974
(Pub.
in Moore 1981: 81, in coll. of Ransom Center University of Texas (formerly
Gernsheim Collection))
a.k.a 1974 (Moore 1976: 23)
a.k.a. North Wales 1974
(In
coll. of Bibliothèque Nationale de France).
RMC
0121
n.d.
(possibly 1974): [n.t.]
[variant
of Blaenau Ffestiniog 1974]
(In
coll. of Stanford University Museum of Art CA)
RMC
0122
1974: Hampshire, 1974
(Pub.
in Moore 1981: 85, in coll. of Bibliothèque Nationale de France, in coll. of
Victoria and Albert Museum London)
a.k.a.
[n.d., n.t.] (Moore 1976: 35, in coll. of Robert Hershkowitz)
RMC
0123
1974: Moorhead, 1974
(Pub.
in Hill 1976: 9)
RMC
0124
1974: Wales 1974
(Pub.
in Badger 1989: 146)
a.k.a. 1974
(Pub.
in Moore 1976: 22)
a.k.a. Blaenau Ffestiniog - Wales
(In
coll. of Ransom Center University of Texas (formerly Gernsheim Collection))
a.k.a.
[untitled]
(Pub.
in McCabe 1989: 56)
RMC
0125
1974
(date uncertain, see below): 1974
(Pub.
in Moore 1976: 34)
a.k.a Somerset 1973
(In
coll. of Stanford University Museum of Art CA, in coll. of Robert Hershkowitz)
RMC
0126
1975: Gravel, 1975
(In
coll. of Victoria and Albert Museum)
RMC
0127
1975: Wiltshire, 1975
(Pub.
in Moore 1981: 79)
a.k.a. 1975
(Pub.
in Moore 1976: 31, in coll. of Ransom Center University of Texas (formerly
Gernsheim Collection, in coll. of British Council London)
RMC
0128
1976: Cumbria 1976
(In
coll. of Raymond Moore archive, Box 342 - 170 No. 2 “Welsh Arts Council Loan”)
RMC
0248
1976: Cumbria 1976
(In
coll. of Raymond Moore archive, Box 343 - 140, D18)
RMC
0249
1976: Nottinghamshire, 1976
(In
coll. of Raymond Moore archive, Box B)
RMC
0225
1976: Whitehaven, 1976
(In
coll. of Victoria and Albert Museum London)
RMC
0129
1976: Whitehaven, 1976
(in
coll. of Victoria and Albert Museum London)
RMC
0130
1976: Workington, 1976
(Pub.
in Moore 1981: 94, in coll. of Paul Hill, in coll. of Arts Council of Great
Britain (managed by Hayward Gallery))
a.k.a. Whitehaven 1976
[this title may be wrong] (In
coll. of Victoria and Albert Museum London)
RMC
0131
1976: Workington 1976
(Pub.
in Moore 1983: 12, in coll. of Victoria and Albert Museum London)
a.k.a.
[n.d., n.t.]
(Pub.
in Moore 1976: 32)
RMC
0132
1976: 1976
(Pub.
in Moore 1976: 27)
a.k.a. Window and Door, 1976
(In
coll. of Stanford University Museum of Art CA)
RMC
0133
1977: Allonby 1977
(Pub.
in Moore 1981: 65, Moore 1983: 20, in coll. of Ransom Center University of
Texas (formerly Gernsheim Collection, in coll. of Arts Council of Great Britain
(managed by Hayward Gallery)) [ACGB holding is unconfirmed]
RMC
0134
1977: Allonby 1977
(Pub.
in Moore 1981: 50, Moore 1986: 6, in coll. of Tullie House Museum Carlisle, in
coll. of Arts Council of Great Britain (managed by Hayward Gallery), in coll.
of Victoria and Albert Museum London, in coll. of Paul Hill, in coll. of
Nicholas Weaver)
a.k.a. Allonby
(Pub.
in Hanson 1982: 152)
RMC
0135
1977: Allonby 1977
(In
coll. of Arts Council of Great Britain (managed by Hayward Gallery)).
RMC
0136
1977: Builth Wells - Wales
(In
coll. of Ransom Center University of Texas (formerly Gernsheim Collection))
RMC
0232
1977: Derbyshire, 1977
(Pub.
in Moore 1981: 61)
RMC
0137
1977: Fletchertown, 1977
(Pub.
in Moore 1981: 73, in coll. of Scottish National Portrait Gallery, in coll. of
British Council London)
RMC
0138
1977: Flimby, 1977
(Pub.
in Moore 1981: 60, in coll. of British Council London, in coll. of Victoria and
Albert Museum London)
RMC
0139
1977: Maryport 1977
(In
coll. of Arts Council of Great Britain (managed by Hayward Gallery))
a.k.a. Wallscape and Sky, Maryport
(Pub.
in Woods 1980: 156,167)
RMC
0177
1977: Maryport, 1977
[date
uncertain, see below]
(Pub.
in Moore 1981: 43, Hooker 1987: 37)
a.k.a. Maryport - Cumbria 1978
(In
coll. of Ransom Center University of Texas (formerly Gernsheim Collection,))
RMC
0140
1977: Maryport, 1977
(Pub.
in Moore 1981: 80, in coll. of Victoria and Albert Museum, in coll. of Scottish
National Portrait Gallery, in coll. of Nicholas Weaver)
RMC
0141
1977: Wales 1977
(Pub.
in Tausk 1980: 155)
a.k.a. Mid Wales 1977
(In
coll. of Ransom Center University of Texas (formerly Gernsheim Collection))
RMC
0142
1977 Whitehaven 1977
[date
uncertain, see below]:
(Hill
1979: 26)
a.k.a. Cumbria 1976
(In
coll. of Bibliothèque Nationale de France, in coll. of Nicholas Weaver).
RMC
0143
1977: Workington 1977
[date
uncertain, see below]
(Pub.
in Hill 1979: 27, in coll. of Arts Council of Great Britain (managed by Hayward
Gallery))
a.k.a. Cumbria 1976
(In
coll. of Bibliothèque Nationale de France).
RMC
0144
1977:Workington
1977
[date
uncertain, see below]
(Pub.
in Moore 1983: 13, in coll. of Nicholas Weaver)
a.k.a. Cumbria 1976
(In
coll. of Bibliothèque Nationale de France.)
a.k.a. Whitehaven 1976
[this
title may be wrong]
(In
coll. of Victoria and Albert Museum London)
RMC
0145
1977: Workington 1977
[date
uncertain, see below]:
(Pub.
in Moore 1983: 28)
a.k.a. Workington-Cumbria 1976
(In
coll. of Ransom Center University of Texas (formerly Gernsheim Collection,))
a.k.a. Cumbria 1976
(In
coll. of Bibliothèque Nationale de France.)
RMC
0146
1978: Black Mountains 1978
(In
coll. of Arts Council of Great Britain London (managed by Hayward Gallery))
RMC
0147
1978: Edwinstowe, 1978
(Pub.
in Moore 1981: 67, in coll. of Arts Council of Great Britain (managed by
Hayward Gallery))
a.k.a.
[untitled]
(Pub.
in Hill 2004a: 25)
RMC
0148
1978: Forest Town, 1978
(Pub.
in Moore 1981: 69, pub. in White 1981: 58, in coll. of Arts Council of Great
Britain (managed by Hayward Gallery), in coll. of Scottish National Portrait
Gallery)
RMC
0149
1978: Hardwick Hall, 1978
(Pub.
in Moore 1981b: 26)
RMC
0150
1978: Nottinghamshire 1978
(In
coll. of Raymond Moore archive, Box ‘B’ No. 13-25)
RMC
0236
1978: Nottinghamshire 1978
(In
coll. of Raymond Moore archive, Box 342 - 170 No. 2, “Welsh Arts Council Loan”)
RMC
0237
1978: Whitehaven, 1978
(Pub.
in Moore 1981b: 24)
RMC
0151
1979: Allonby, 1979
(Pub.
in Moore 1981: 51)
RMC
0152
1979: Allonby, 1979
(Pub.
in Moore 1981: 64)
RMC
0153
1979: Ayr, 1979
(Pub.
in Moore 1981: 45, in coll. of National Museum of Photography, Film & TV
Bradford (as photographic print), in coll. of Minneapolis Institute of Art (as
photogravure), in coll. of Victoria and Albert Museum London (as photogravure
No. 21 of 100)
RMC
0154
1979: Ayr, 1979
(Pub.
in Moore 1981b: 27)
RMC
0155
1979: Ayr, 1979
(Pub.
in Stevenson 1995: 39, in coll. of Scottish National Portrait Gallery, in coll.
of Nicholas Weaver)
a.k.a. Untitled
(In
coll. of National Museum of Photography, Film & TV Bradford)
RMC
0156
1979: Galloway, 1979
(Pub.
in Moore 1981: 53)
RMC
0157
1979: Galloway, 1979
(Pub.
in Moore 1981: 63, in coll. of National Museum of Photography, Film & TV
Bradford, in coll. of Scottish National Portrait Gallery, in coll. of Arts
Council of Great Britain (managed by Hayward Gallery))
RMC
0158
1979: Galloway, 1979
(Pub.
in Moore 1981: 75)
RMC
0159
1979: Galloway 1979
(Pub.
in Moore 1981b: 29)
RMC
0160
1979: Galloway, 1979
(In
coll. of Raymond Moore archive, Box 343 - 140, D18)
a.k.a.
[untitled]
(Pub.
in Hill 2004a: 25)
RMC
0251
1979: Penrith, 1979
(Pub.
in Moore 1981: 55)
RMC
0161
1979: Silloth, 1979
(Pub.
in Moore 1981: 59, in coll. of Scottish National Portrait Gallery.)
RMC
0162
1979: Threave, 1979
(Pub.
in Moore 1981: 57, in coll. of Scottish National Portrait Gallery, in coll. of
Arts Council of Great Britain (managed by Hayward Gallery))
RMC
0163
1980: A614, 1980
(Pub.
in Moore 1981: 41, in coll. of Arts Council of Great Britain (managed by
Hayward Gallery))
RMC
0164
1980: Galloway 1980
(Pub.
in Moore 1983: 22, Stevenson 1995: 40, in coll. of Scottish National Portrait
Gallery, in coll. of National Museum of Photography, Film & TV Bradford)
RMC
0165
1980: Galloway 1980
(Pub.
in Moore 1983: 23, in coll. of Scottish National Portrait Gallery, in coll. of
Victoria and Albert Museum London)
RMC
0166
1980: Galloway 1980
(Pub.
in Moore 1983: 35)
RMC
0167
1980: Gilsland, 1980
(Pub.
in Moore 1981: 36)
RMC
0168
1980: Harrington 1980
(Pub.
in Moore 1981: 49, Moore 1983: 17, in coll. of Scottish National Portrait
Gallery, in coll. of British Council London)
RMC
0169
1980: Maryport, 1980
(Pub.
in Moore 1981: 66)
RMC
0170
1980: Maryport, 1980
(Pub.
in Moore 1981: 48)
RMC
0171
1980: Maryport, 1980
(Pub.
in Moore 1981: 87)
RMC
0172
1980: Maryport 1980
(Pub.
in Moore 1983: 21, in coll. of Arts Council of Great Britain (managed by
Hayward Gallery))
RMC
0173
1980: Raes Knowes, 1980
(Pub.
in Moore 1981: 71, Weaver 1986: 21, in coll. of Scottish National Portrait
Gallery, in coll. of Arts Council of Great Britain (managed by Hayward
Gallery), in coll. of National Museum of Photography, Film & TV Bradford,
in coll. of Victoria and Albert Museum London, in coll. of Nicholas Weaver)
RMC
0174
1980: Silloth, 1980
(Pub.
in Moore 1981: 77)
RMC
0175
1980: Workington, 1980
(Pub.
in Moore 1981: 56)
RMC
0176
n.d.
(not later than 1980) [n.t.]
(Pub.
in Grupa Junij 1980: 31)
RMC
0276
1981: A.596 1981
(Pub.
in Moore 1983: 33, Moore 1990: 3)
RMC
0178
1981: Allonby 1981
(Pub.
in Moore 1983: 19, in coll. of Arts Council of Great Britain (managed by
Hayward Gallery), in coll. of British Council London (loaned to BC centre in
Ghana), in coll. of Tullie House Museum Carlisle)
a.k.a. Allonby
(Pub.
in Hanson 1982: 151)
RMC
0179
1981: Allonby 1981
(In
coll. of Arts Council of Great Britain (managed by Hayward Gallery), in coll.
of Tullie House Museum Carlisle)
RMC
0180
1981: Allonby, Christmas Day, 1981
(In
coll. of Tullie House Museum Carlisle)
a.k.a. Allonby
(Pub.
in Hanson 1982: 149)
RMC
0219
1981: Galloway 1981
[date
uncertain, see below]
(Pub.
in Moore 1986: 5, Bishop 1988: 14)
a.k.a. Galloway 1982
(In
coll. of National Museum of Photography, Film & TV Bradford)
a.k.a.Galloway
1983
(In
coll. of Scottish National Portrait Gallery)
RMC
0181
1981: Galloway 1981
(Pub.
in Badger 1989: 147)
RMC
0182
1981: Silloth, 1981
(Pub.
in Moore 1981b: 25)
RMC
0183
1981: Silloth 1981
(Pub.
in Hanson 1982: 153, in coll. of Victoria and Albert Museum London)
RMC
0184
1982: Allonby 1982
(Pub.
in Moore 1983: 18)
RMC
0185
1982: Allonby 1982
[date
uncertain, see below]
(Pub.
in Moore 1983: 31, in coll. of Scottish National Portrait Gallery, in coll. of
Victoria and Albert Museum London)
a.k.a. Allonby 1981
(In
coll. of Tullie House Museum Carlisle).
a.k.a. Allonby
(Pub.
in Hanson 1982: 150)
RMC
0186
1982: Harrington 1982
(Pub.
in Moore 1983: 24, Moore 1986: 13, in coll. of Scottish National Portrait
Gallery, in coll. of National Museum of Photography, Film & TV Bradford, in
coll. of Nicholas Weaver)
RMC
0187
1982: Maryport 1982
(Pub.
in Moore 1983: 25)
RMC
0188
1982: Maryport 1982
(Pub.
in Moore 1983: 27)
RMC
0189
1982: Maryport 1982
(In
coll. of Scottish National Portrait Gallery)
a.k.a. Maryport
(Pub.
in Hanson 1982: 148)
RMC
0218
1982: Millom 1982
(Pub.
in Moore 1986: 10)
RMC
0190
1982: Silloth 1982
(Pub.
in Moore 1983: 11, possibly in coll. of National Museum of Photography, Film
& TV Bradford, although unclear which variant)
[NB:
very similar but not identical to RMC 0193. See also: RMC 0238]
RMC
0191
1982: Silloth 1982
(Pub.
in Moore 1983: 14)
RMC
0192
1982: Silloth 1982
(Pub.
in Moore 1986: 9)
[NB:
very similar but not identical to RMC 0191. See also: RMC 0238]
RMC
0193
1982: Silloth 1982
(Pub.
as Moore 1983: cover, in coll. of National Museum of Photography, Film & TV
Bradford, in coll. of Scottish National Portrait Gallery, in coll. of Nicholas
Weaver)
RMC
0043
1982: Whitehaven 1982
(Pub.
in Moore 1983: 29, in coll. of National Museum of Photography, Film & TV
Bradford, in coll. of Musée Regional de Rimouski,
Quebec)
RMC
0194
1982: Workington 1982
(In
coll. of National Museum of Photography, Film & TV Bradford)
a.k.a.
[n.d.: n.t.]
(In
coll. of Raymond Moore archive, Box ‘B’ 18 - 13)
RMC
0247
1983: Allonby 1983
(Pub.
in Moore 1983: 15)
RMC
0195
1983: Allonby 1983
(In
coll. of National Museum of Photography, Film & TV Bradford)
a.k.a.
[n.d.: n.t.]
(In
coll. of Raymond Moore archive, Box ‘B’ 11 - 31)
RMC
0244
1983: Flimby 1983
(Pub.
in Moore 1983: 26, in coll. of British Council London)
RMC
0196
1983: Flimby 1983
(In
coll. of Scottish National Portrait Gallery)
RMC
0197
1983: Mallaig 1983
(In
coll. of Scottish National Portrait Gallery)
RMC
0198
1983: Silloth 1983
(in
coll. of Scottish National Portrait Gallery, in coll. of Raymond Moore archive,
Box 34, 3-170)
RMC
0199
1984: Allonby 1984
(Pub.
in Moore 1986: 7, Jeffrey 1985: 29)
RMC
0200
1984: Allonby 1984
(In
coll. of Scottish National Portrait Gallery, pub. in Bishop 1987a: 704)
RMC
0201
1984: Allonby 1984
(Pub.
in Jeffrey 1985: 29)
RMC
0224
1984: Maryport 1984
(In
coll. of Raymond Moore archive, Box ‘B’ No. 25-2)
RMC
0235
1985: Campbeltown 1985
(pub. in Bishop 1987a: 705, in coll. of Campbeltown Museum)
RMC
0202
1985: David, Christmas 1985
(in
coll. of Victoria and Albert Museum London [uncatalogued])
RMC
0203
1985: Dumfriesshire 1985
(Pub.
in Moore 1986: 11, Clarke 1997; pub. in Cutts 1987: 43, in coll. of National
Museum of Photography, Film & TV Bradford, in coll. of Gracefield Arts
Centre Dumfries)
RMC
0204
1985: Dumfriesshire, 1985
(In
coll. of Raymond Moore archive, Box #22-15)
RMC
0205
1985: Gigha 1985
(Pub.
in Cutts 1987: 44, in coll. of Gracefield Arts Centre Dumfries)
RMC
0206
1985: Gigha 1985
(In coll. of Scottish National Gallery of Modern Art)
RMC
0207
1985: Kintyre 1985
(Pub.
in Weaver 1989: 374, pub. in Cutts 1987: 45, in coll. of Gracefield Arts Centre
Dumfries)
RMC
0208
1985: Mallaig 1985
(In
coll. of Scottish National Portrait Gallery)
RMC
0209
1985: Mallaig 1985
(in
coll. of Raymond Moore archive, Box ‘B’)
RMC
0234
1985: Silloth 1985
(in
coll. of Raymond Moore archive, Box ‘B’)
RMC
0239
1986: Ecclefechan 1986
(In
coll. of Scottish National Portrait Gallery, in coll. of National Museum of
Photography, Film & TV Bradford)
RMC
0210
1986: Ecclefechan 1986
(In
coll. of Scottish National Portrait Gallery, in coll. of Gracefield Arts Centre
Dumfries)
RMC
0211
1986:
[n.t.] “ca. 1986”
(In
coll. of Raymond Moore archive, framed print)
RMC
0240
[n.d.:
n.t] “ca. 1986”
(In
coll. of Raymond Moore archive, Box 34, 3-170)
RMC
0230
1986: At Briggflats Burial Ground, October 26, 1986.
(Pub.
as Jargon Society Card No. 22, to commemorate the Cumbrian poet Basil Bunting)
(in Victoria and Albert Museum: Raymond Moore factfile, uncatalogued)
RMC
0255
1987: Dumfriesshire, 1987
(In coll. of
National Museum of Photography, Film & TV Bradford)
a.k.a. </
